The University of Wisconsin-Madison’s Ibero-American collection holds one of the largest and most comprehensive cartonera collections in the U.S., and is a great source of information and an excellent visual primer-you can click through hundreds of cover images. Cartonera is short for editorial cartonera, or “cardboard publisher.” They originated in Argentina in the early 2000s as a way to make literature affordable, increase literacy, support the community’s cartoneros who make their living collecting recyclable materials, and turn bookmaking into a way to draw people together and subvert economic and ideological power structures, including those in the publishing world. The choice to use cardboard to hand-make these books is certainly a counter-cultural one. The design of each is exquisite-and, though the materials are different than those used in CHP’s paperback series, the design is also very much in keeping with CHP’s house style.īut why these books, this way? What is the imperative to produce these texts in cardboard? Kilimanjaro, by Maricela Guerrero, translated by Stalina Villarreal, is an 8- by 8-inch accordion with a shiny stencil spray-painted cover. Koan Underwater, written by Juan José Rodinás and translated by Ilana Dann Luna, is a trim book with two notably cut-off corners, giving the book a diamond shape, and with many of the poems inside laid out on the page in landscape format.
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Spinning Mill (Hilandería), by Legna Rodríguez Iglesias, translated by Katerina Gonzalez Seligmann, is pocket-sized, with accent embroidery on the cover and vertical signatures on two different colors of paper. I’m referring to three of the Collective’s most recent releases, written by three award-winning writers from three Latin American countries. It’s clear these eye-catching art books were a lot of work to make, and that a great deal of care and precision were employed in that making. I delight in handling them, rotating them to read the poems placed horizontally on some of their pages, flipping them over to compare the Spanish originals to the English translations, rubbing their embroidered covers, and stretching out their accordion pages. Highly Recommended.My favorite books of translated poetry to hold in my hands are no ordinary paperbacks: they are made of cardboard and screen-printed cardstock and hand-sewn signatures, crafted by independent publisher Cardboard House Press (CHP)’s Cartonera Collective in Phoenix, Arizona. Will definitely order more in ur website. Would love to share the pic but I don’t find any option to upload the pic in here No light wire was included in the package?Ĩ. The paint itself as i said comes with some smokey / burnt feel be careful while handling the pieces as it’s going to get on your hands.Į. Had to spray a little deodorant to neutralise the effect.ĭ. The only thing which I didn’t like is type of color / paint used on it. Material of world map is some sort of 2-3mm cardboard (thick enough to stick to wall and fragile enough to break specially from the edges)Ĭ. The clock is not of very good quality but it does workī. Coming over to the most important part i.e Quality of the product:Ī. Sufficient double tape was included in the boxħ. Had a little disagreement with the arrangement of map as shown in the pic so I improvised a little.Ħ. Easily completed installation in just 20 minutesĥ.
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The complete installation instructions were included in the boxĤ. The box was well secured and light weightģ. I received the package well in time and it was in excellent conditionĢ. I’m going to write a brief review on this item:-ġ.